I’m giving a talk!

Just thought I’d let you all know that I’ll be giving a talk in London on Saturday 18th March 2017 at 1pm. It’s a Central London Branch Meeting of the Knitting & Crochet Guild with speaker Angharad Thomas (that’s me!)
AAT, 4th Floor, 140 Aldersgate St, London EC1A 4HY

The title of the talk is Gloves: History, designing and making and I’ll show examples of my own and some made by others too – historic and from other countries.

Contact me via this blog or if you are a KCG member you can contact Tricia Basham to book a ticket – £5 members and £10 non-members.

After I gave an introductory talk for my glove exhibition people were very complimentary – so it is highly recommended! (That’s enough self promotion, Ed.)

Exhibition ends soon

Happy New Year!

My exhibition at the Bankfield Museum ends this Saturday, 14th January. It’s open all week from tomorrow to Saturday 10 am – 4 pm so I do hope that you can get there to have a look if you haven’t been already. There’s lots of other interesting exhibitions on there too.

Here’s some pictures if you can’t get there:

 

p1010545

p1010546p1010548 p1010550  p1010549

p1010551 p1010562 p1010561 p1010557

Hand in Glove exhibition

Last Saturday, 12th November, the exhibition of my gloves opened at the Bankfield Museum, Halifax, West Yorkshire. It is on until Saturday 14th January 2017. The Bankfield is open 10am – 4pm Tuesday  – Saturday but it will be closed over Christmas and the New Year.

It was great fun setting up and preparing. The curator, Angela Clare provided me with large fabric panels for the gloves (pinned on) which went into frames and I had 5 glass cases to fill with contextual material. In these are items on loan from the Collection of the Knitting & Crochet Guild where I volunteer, sketchbooks and design work, and items that I’ve designed for magazines. There are five information panels and two frames of vintage glove patterns. There’s also a frame with ball bands from some of the yarns I’ve used over the years. Most of it was planned weeks before so that I could be sure that there was enough material for the space. I used A1 boards and laid out the gloves and items for the cases at home ages ago so I knew that there was sufficient material.

I gave a talk to open the exhibition, just so that people could find out more about why I have knitted all these gloves and some of the research work behind them. I had notified the Huddersfield Examiner   who ran a piece about the exhibition about 10 days ago, and I also had an interview on Radio Leeds. I had Tweeted a bit too, but on the day there were 30 chairs in the hall and about 80 people! Lots more chairs were found so only a few people had to stand. So thank you, print and broadcast media, and social media for getting so many people there. It was very exciting and everyone seemed to enjoy themselves.

Here are some pictures:

img_1173

The first case with a variety of Sanquhar gloves: 2 pairs from the KCG Collection and one from the Bankfield Collection

img_1180

The Yorkshire case: gloves from the KCG Collection, with a first edition of the Old Hand knitter of the Dales, and knitting sticks from the KCG Collection.

img_1198

  I’m the one at the front, wearing a white poppy for peace

img_1218

With Angela Clare, from the Bankfield. She’s really lots taller than me!

Barbara, my fellow volunteer at the KCG has blogged about the exhibition here: and her blogs are always worth a read.

Knit for Peace

I’ve been experimenting with knitting gloves or mittens to send to an amazing organisation called Knit for Peace. Based in London they both bring people together to knit and understand each other better, but also collect garments and other things that are then sent out to people in need of them, in Syria, mainly.

So as a break from knitting fine gloves, I decided to make some simpler gloves and mittens for Knit for Peace, with the aim of designing a pattern for them; more on that later.  This I saw as an opportunity to explore some different structures for covering the hands, with a view to perhaps using them in my own designs, so not entirely philanthropic in aim! I started with their own patterns for hand warmers which are a garter stitch square that has a gap in the side seam for the thumb. Very straight forward.

img_1120

Waiting to be sewn up

img_1119

Ready to wear

These are knitted in 2 strands of vintage pure wool Jaeger 4ply which should be nice and warm, and which came from the Knitting & Crochet Guild Convention stash swap. I’ve got another pair on the needles and it’s great to have something straightforward to knit as a change from complicated gloves!

So far I have also knitted 2 mittens from Elizabeth Zimmermann, the 36 stitch pattern from Knitters Almanac, and the garter stitch mitts from Knitting Around. These are in the same vintage pure wool as the hand warmers. You can see these below, and although the 36 stitch mitts look rather long and thin they are actually fine once they are on a hand – like mine!

img_1117

EZ 36 stitch mitts

img_1118

EZ sideways garter stitch mitts

The sideways garter stitch mitts are interesting to knit, and cunningly constructed but I don’t think they are one of EZ’s most inspired creations – however, I’m still glad that I tried them.

I offered to write a pattern for mittens and perhaps gloves for Knit for Peace and apparently most of their contributors like to knit on 2 needles from patterns that they provide, not Ravelry or the internet. So, I started knitting some mittens on two needles, and I’m almost there with the pattern having realised that you have to knit the thumb before progressing up the hand. I struggled with this, having knitted a whole mitten and gone back to the thumb in the round with a pair of straight pins. It didn’t work. I then had to find a pattern for mittens on two needles, which is not as easy as you might think, to see how it’s done. I found a Canadian booklet for gloves and mitts which explained the process, so now I can progress with my pattern.

So that’s all for now about Knit for Peace, but I plan to be writing more soon.

Knitting in California

It’s time I caught up on what I’ve been doing lately, which is mainly being in California for two weeks. Although it’s very warm there a lot of the time I was still able to fit in some knitting activity. However, I have to admit that I did not do a single stitch of knitting, not even on two long haul flights. In fact, I even almost left my knitting bag behind under my seat on the flight home. But luckily I had a dig around the debris of the flight and found it there.

A while ago June Hemmons Hiatt, author of the Principles of Knitting, was in the UK and we planned to meet up, having met at the inaugural Center for Knit and Crochet conference in 2102. That didn’t happen for various reasons so when I found out that June lives quite near where I go to visit my step daughter we agreed to meet. For those of you who are familiar with Principles of Knitting you’ll know that June is a total expert on knitting. Her book covers everything from how to actually make the stitches to all aspects of planning a project.

June is also working on producing knitting belts which are available from her web site. They are all top quality leather and hand made, so a real work of art and craft. Plus, using a knitting belt is a great way to knit.

So as well as having lunch, we talked a great deal of knitting ‘shop talk’, fairs and events. June was due to go to the New York State Sheep and Wool Festival in Rhinebeck, October 15th and 16th, so just coming up now, techniques, needles, and all sorts of textile-ly things.

Here’s June and I having had lunch:

img_0928

Then June introduced me to a unique shop and gallery called Lacis which has haberdashery, tools, books, textiles and costume. It really is amazing, and if I wasn’t used to seeing huge quantities of old and vintage textiles in the Knitting & Crochet Guild Collection, where I volunteer, I would have been even more amazed that I was. I have never seen such a selection of thread, needles, gadgets, patterns, pins, ever. And that’s including John Lewis haberdashery in its heyday and Duttons for Buttons and all those wonderful places down side streets in London ….

When I’d recovered from that, at least a week or ten days later, I went to visit A Verb for Keeping Warm, a shop and centre for all sorts of textile activities in Oakland, so about 30 minutes away from where I was staying and not so far from Lacis. If you have a look at the web site you get a sense of the place and what they do there. Have a look at the pictures of the outdoor space at the back of the shop – it is quite special. I asked if my partner could sit here while I browsed and it was fine. We were both happy.

Here’s some pictures:

img_1027

Natural dyed yarn and dried marigoldsfor dyeing with in the outdoor space

img_1031A hanging showing natural dyed fabrics in the shop

img_1032Hats, natural dyed wools

Verb has knitting and spinning and dressmaking/quilting supplies so there was a lot to look at and all of it beautiful – lovely things, well presented, plus some that I hadn’t seen before, like this magazine from Canada, Uppercase. I bought this edition, more or less for the image on the front cover, which looks like a patchwork quilt, but made of pieces of painted wood from salvaged houses. You can see more of them at the artist’s web site.

img_2037_medium

I also bought a copy of the natural dyeing book, written by the Verb’s owner, Kristine Vejar. A clever move, calling it The Modern Natural Dyer, as I have several books on natural dyeing, and have done some natural dyeing, but I obviously need an update. I left this in California with my daughter. I’ll get it back next time I visit if she hasn’t used it by then.

mnd_cover_front_large

And the last couple of things I bought (remember, I never buy yarn, and I don’t buy books when I’m abroad as they are too heavy to carry home) was a skein of Brooklyn Tweed yarn in a sludgy green that is my favourite colour more or less, and a Brooklyn Tweed book. I look at BT books on line and they are wonderful – beautifully produced and photographed and this one is no exception. It will probably be a present, as I really do not need another knitting book. I even forgive the incorrect spelling of Woolens. Joke.

woolens_book_square_02_medium

 

And finally, I bought some Blue Faced Leicester tops in Verb, as the spinning wheel was out at my daughter’s house. I took the wheel over there after my mother died, over ten years ago, literally in a box, held onto wheels with some bungies. It travelled as checked in baggage. Anyway, the white tops were quite ok to spin with, although not a nice as some grey Gotland which had come from the local knitting shop in Lafayette. Here’s me spinning on a Hebridean wheel in California:

img_1046

And that’s all for now. Thanks for reading if you got this far.

Workshops

Birmingham Saturday October 15th and Sunday October 16th I will be teaching two workshops:

Saturday is the Birmingham branch of the Knitting & Crochet Guild meeting and the subject is lace. There will be a show and tell of lace garments and samplers from the KCG Collection followed by a hands on workshop of lace knitting, using a sampler from the collection as inspiration. Participants can make their own selection of yarn and needles with a view to knitting samples or a scarf.

Yellow lace sampler

Sunday is an independent workshop on glove knitting. Participants will have the opportunity to learn and practice the techniques used in knitting two colour gloves and will need to bring 2 colours of plain smooth yarn in 4 ply or DK and double pointed or circular needles in appropriate sizes.

Sanquhar glove

There are a few places available on both. Cost for the lace workshop is £12.50 and the cost of the glove workshop is £20.

Both take place in the Community Room of the John Lewis store in central Birmingham.

Contact me via this blog if you would like to reserve a place.

Helsinki in July

When I went to Estonia, to Craft Camp, last month, see previous posts, because of the lack of direct flights to Tallinn the capital, from the north of England, and my horror of the larger European hubs (Charles de Gaulle, Frankfurt, Schiphol etc; bad experience both ways last year, long story), I decided to fly to and from Helsinki from Manchester, then complete the journey to Tallinn by ferry across the Baltic, just a couple of hours.

So it came to pass that I had two stopovers in Helsinki, one on the way to Estonia, and one on the way back.

On the way there, I had most of the afternoon and evening to explore and the morning of the next day, before catching the ferry. On the way back, I had an evening and morning before heading out the to airport.

So what did I find?

Well, I stayed in a trendy boutique hotel, The Klaus K, which was very central with helpful staff and had rather lovely bas relief in granite by the front door, the only thing is, I’m not sure what they are doing. Something with grapes perhaps, although you would think that Finland would be a little far north for that?

Bas relief outside the Klaus K hotel in Helsinki

Bas relief outside the Klaus K hotel in Helsinki

The water was not far away and of course it was light until late. I also found a great pizza place, my favourite, and some great shop windows.

 

The Louis Vuitton window complete with the planets

The Louis Vuitton window complete with the planets

The following morning, when I went into the main station to buy an English language newspaper (The Financial Times as you ask) I discovered that it is the most wonderful Art and Crafts/Art Deco building with it seemed, most of the original features still in place. Note the addition of the Burger King sign.

Railway station exterior

Railway station exterior

The railway station interior

The railway station interior

Then off to the docks to find the ferry, using the tram system, cheap and easy, but it would have been walkable in fact.

The ferry was brightly painted with a huge disco area and seemed to mainly serve people going across to Estonia to buy cheap booze, which I discovered on the way back when I saw inside a huge hard case full of multipacks of cider.

The ferry to Tallinn

The ferry to Tallinn

On my return visit, I stayed at the same hotel, and ate in the same pizza place (there’s no point in having to find out where things are all over again, I think). Then, having been told the names of the best yarn shops in Helsinki, I went out on a Saturday morning to find them. There were two out of three within easy walking distance of the hotel. Now, I am a big fan of people taking their holidays, and of having time off at the weekend, but in this case, these conspired against me. The first shop, Snurre, had just closed for a fortnight’s holiday, as I had thought it said on their Facebook page, which was confirmed by a sign in the window and my disappointed reflection:

The yarn shop

The yarn shop

It says it's closed for 2 weeks

It says it’s closed for 2 weeks

The second shop, within a few minutes of my hotel, didn’t open on a Saturday. The third was too far away to get to that day.

 

But after that, I had the Design Museum in my sights, Helsinki being one of the hotbeds of mid-century modern, so fashionable at the moment. The permanent exhibition is an excellent exposition of Finnish design from about 1850 showing how the emergent state used it, and still does to some extent, as a means of creating national identity and of improving standards of living. All this I approved of thoroughly and enjoyed very much.

Permanent display of Finnish design

Permanent display of Finnish design

Finnish hospital design

Finnish hospital design

Other exhibitions, which approached design more from the point of view of the design superstar, in this case, Eero Aarnio, I was not so enamoured of, although there was some interest in seeing the construction of ‘iconic’ 60s objects that he was responsible for like the ball chair that is an almost complete sphere.

Anyway, this is the type of ‘design’ that I find most irritating, the designer making statements about “it is also possible to create a new need, a good example of which is ‘Puppy’, which I designed. No one needs it, but there are so many who want it to have it” (from the web site). Why does the world need small models of puppies in brightly coloured plastic?

So that was Helsinki, for me. Next year, I might go via another route.