Find here: posts do to with materials, yarns, needles, project ideas, and so on; pretty much everything that isn’t directly about knitting gloves themselves.
1 March 2015
Yesterday I sent off an entry for a competition but I’m not going to say what or I think it’s bad luck. And it’s also annoying to have to confess if it doesn’t get in. Actually the chances are 50/50 on previous years so we’ll see.
So today it’s hard to get going because without a deadline I can be quite lazy. Perhaps unaimed is more accurate as there’s tons of stuff I want to do:
1. Make woven baskets from old maps cut up
2. Bigger cushions from patchwork for the front room
3. Draw – anything
4. Design and knit a waistcoat /bodywarmer from some denim yarn
5. Knit a top from some Colinette merino tape yarn
6. Finish the crochet blanket I’m more than half way through
7. Start a crochet blanket from my mother’s hand spun yarns
8. the hexagon crochet blanket I’m doing with my daughter
9. A new jumper for my partner on the knitting machine
plus there’s always knitting and crochet guild things to do and an exciting American project on the horizon.
Maybe that’s why I need a day off? Since starting to write this I’ve had several days off and am now feeling more like tackling some tasks .. need to finish the armhole trim on a hand spun sweater I started altering last summer first of all.
So there’s 9 projects to be going on with not to mention designing the show that I’m going to have at Prick Your Finger in Bethnal Green. That starts on 13th March. That is a week on Friday so not long now although it’s all being planned out on the spare bed!
14 October 2014
Some of my stash
As I’ve bought a new camera I decided to spend a bit of time photographing (at least) some of my stash. The stash facility on Ravelry sounds very good and I haven’t really used it up to now and it would be handy to know what I’ve got when thinking about new projects without having to root through the tin trunk that keeps it all.
So I started on the 3ply wools, those I use for gloves usually. I have just counted from the photos and there’s enough wool for about 60 pairs I think. The colours are rather unevenly distributed, lots of yellow and hardly any white. I try to make it a rule not to buy more yarn but like all rules it can be broken, especially when Marion Foale’s colours are so wonderful.
At about 6 – 7 pairs annually that’s about enough for 10 years. I think that sounds just about right as I’ve certainly got that many ideas and I might even start knitting at least part of them on the machine.
You can look on my Ravelry pages to see what’s there so far. There’s 4 ply, enough for a couple of sweaters, and some denim cotton, a tiny bit of cashmere, some DK in various colours and that’s about it. I’ll add them another time.
Here’s some of the more photogenic balls and skeins, from the early 1950s to the mid 60s I think. All pure wool and all spun in the UK. All in imperial weights too, so a bit of the past in some balls of wool.
Sirdar, from the early 1950s
Patons again, but perhaps 1960s
A skein of about 4 ounces, again from the 1950s?
8 November 2014
Someone else obsessed by gloves!
I wrote this post a while ago but have just added to it – here it is:
Fiberarts was a journal published in the USA from the 1970s through to about 2008. Those dates may not be completely accurate but they’re enough to give you the idea. I thought it was the most wonderful read. Evey issue, almost. was packed with great textiles, a lot of it fiberart as you would expect but also crafts, exhibitions and making. I came by a stack of these in the depths of the collection of the Knitting and Crochet Guild, and not featuring knit or crochet, or only very occasionally, they were deemed to be surplus to requirements. They then sat in my house for some months until I got round to going through them.
Glen’s gloves, a whole page article in the September/October issue, September 1985 caught my eye as I was filleting them prior to passing them on to a friend of mine who is an artist, printmaker and paper maker. The piece is about a textile artist called Glen Kaufman who had been using the glove as a format for exploring ideas. He exhibited in the 1974 miniature textile exhibition, organised by Ann Sutton, and which I think I saw in a mill building in Wakefield.
Glen Kaufman called the gloves special exercises in ‘small thinking’ and this particularly resonated with me. He did not always construct the gloves but used ready mades from thrift stores (charity shops). There is an interesting article about the significance of the glove as a piece of clothing – from ceremonial to workwear in Knitting Traditions 2010, reproduced on Knitting Daily here.
10 October 2014
Thought that I’d do a few rounds before turning in and just realised that they’re wrong … I did not look at my chart and just carried on. So now I have to undo about 8 rounds and get it right. That is actually part of the appeal of this knitting – it has to be correct or not at all but just now I could do with some way of fudging things.
In the morning I might take some photos.
But the process of making mistakes and correcting them is all part of it. Some I can correct without much undoing but this is far too much 😦
8 July 2014
Once I’ve completed the gloves I’m knitting for my friend Sharon, the third in a set, three friends from Yorkshire, three Yorkshire gloves, I’m not sure I’ll carry on with this format. I do have more friends who would no doubt like a pair of cosy gloves but I don’t think it’s going to happen, or not just now.
What am I going to knit next? Well I’m very drawn to the idea of text on mitts or gloves and this is an idea I’ve explored in my sketch books. There are other designer/knitters who have gone down this route and I am wary of appearing to copy in any way.
Formal exploration of colour mixing using the three primary colours for pigment – red, blue and yellow, so beloved of the Bauhaus. using any two of the three and small patterns, the effects of mixing them might be interesting. This sort of fabric, if not the construction could be knitted in the machine though, and much more fast.
Text / words / slogans as discussed above.
Environmental commentary: numbers of say, birds or species and dates and numbers, most often in decline.
Constructing designs using patterns from historical Welsh textiles – I did this a bit with a couple of early pairs, but there are more pieces in the National Wool Museum that would provide inspiration.
But these need to have recipients, there is no point in knitting gloves that will never be worn.
I’m travelling to Falmouth to give a presentation about what I call The Glove Project (TGP) on Thursday as part of a conference called All Makers Now and I rather hope that speaking there might nudge me in a good direction.
27 March 2014
Magic loop – I was wrong!
I’d always steered clear of magic loop for using circular needles and it wasn’t until I saw someone doing it properly that I realised I had been doing it wrong when I’d tried it.
So I’ve been using it with only one circular for the fingers of the last pair I finished and also started a new pair using it.
I was puzzled that people like EZ and Meg Swansen used it when I thought that it stretched the stitches out too much. It does if it’s not done correctly.
The only downside is that I now need longer circulars for there to be enough room for the ‘magic loop’. I have ordered a couple from Purl City Yarns in Manchester – the new budget Knit pros, aluminium on special offer.
18 July 2014
Since I started knitting gloves in earnest, March 2011, what have I done?
- all four Sanquhar patterns
- a Yorkshire Dales glove from a pattern
- two pairs from Welsh textile designs
- Herringbone gloves from Japanese pattern, one with fingers and one fingerless
- Sir Gar, set of three inspired by Carmarthenshire
- seven pairs for friends with dates and initials
- Pair for Knitting Traditions magazine, April 2014
- Dales Countryside Museum
- Wordsworth Trust Collection Grasmere
- Rachel Kaye-Shuttleworth Collection, Gawthorpe Hall
- Dent Heritage Centre
- Tolbooth Museum Sanquhar
- Dumfries Museum
- a sack full of vintage 2 and 3 ply yarns
- fine circular needles
- patterns and books
- At the Welsh Eisteddfod 2013
- At the Dales Countryside Museum, 2014 as part of Elizabeth Smith’s exhibition
- At the All makers now conference, Falmouth University, Trelissick House, July 2014
Filled: one A3 sketch book
Written: two articles for magazines
Blogged: this blog and a few Tweets!
Photography: learnt how to take good photos
So what’s next?
16th July 2014
Shock addition to stash!
I have a VERY STRICT rule about not adding to my stash of yarns (as opposed to the one of fabrics). I go into yarn shops and do not make myself popular by saying ‘Well, I’m not buying any yarn because I have a strict rule that I’m not adding to it’. Actually I only have a small tin trunk full of yarn, whereas I have seen pictures on blogs of whole basements being used to store yarn stash, more like a shop, and not a small one.
However, after being in Cornwall I travelled up to Derby on the train where I went to the Knitting and Crochet Guild annual convention and AGM. Actually I only went to the AGM but that’s another story.
There were lots of great things like a de-stash table, a raffle where one of the prizes was ‘The history of Hand Knitting’ as an audio book, and surplus items like books and needles from the collection being offered in return for a donation.
On the stash table there was a whole bag full of 2 and 3 ply vintage pure wools … and so I had to get them by making a donation to the KCG. As these are what I use for the gloves it was totally VITAL that I didn’t leave them there as these are my raw materials. I hope that readers can see that this was a totally justified addition? Here they are:
And these lovely 4plys were not bought by anyone else and came back to Lee mills so I had to give them a good home. Vintage Jaeger 4ply pure wool, what could be better?
Photographing my knitting
I’ve spent a lot of time recently taking photos of my knitting and the pieces in the Knitting and Crochet Guild collection. Of course, these are all for different purposes – the most recent batch of mine are for entry into an art show while the collection pics are just for identification purposes while we are going through a first round of cataloguing at Lee Mills.
There is some useful advice out there on the web, some of which I picked up a while ago like buying daylight bulbs with an exact light temperature and a large piece of grey card to use as a background. I think that lights and the arrangement of the pieces are more important than the quality of the camera, as even the most basic point and shoot digital has such a range of settings.
The sites I found most useful are:
So here’s an attempt from this morning – a couple of pairs from a year or so ago with the fabric that gave their design inspiration.
28 November 2013
Lost gloves – my own!
These are pure wool knitted a few winters ago. They now have a darn as I fell over and made a hole. They also got lost last week, hence the photo of them outside a local shop where some kind person put them.
27 October 2013
The broken tip of one of the circulars I was planning to use – it’s like a Knitpro but I bought it in the States I think and it’s a different brand.
Posted from WordPress for Android
12 July 2013
Bought metal rather than wood as I have broken two tips in the last few weeks. I went to Purl City in Manchester where they have a great selection. Bought 4 x 2.75 so I can have both gloves on the go at once. It’s the only way.
8th March 2013
Doing something difficult
When I started knitting these gloves one of my aims was to do something that I had not done before and also to do something difficult. I had in mind ice skating – which I have never done, but have watched a lot of on TV – where marks are awarded on artistic impression and technical ability. at least that’s how it was when I used to watch, about 20 years ago, and always on late at night.
When I was a design student, anything that relied on technique was dismissed as only technique and for many years I held that view. A bit of me still does. If you have ever seen what the knitting machine companies advertise when their machines can do you will see what I mean. But having seen rather too many very undemanding knitted pieces in the crop of recent magazines I decided that I would knit something difficult. Hence the gloves.
I was surprised to find that a similar impulse had been driving Alan Rushbridger, the editor of The Guardian, not to knit, but to learn to play a particular piece by Chopin of great technical difficulty. Being a journalist he has written a book about it – Play it Again: An Amateur Against the Impossible. I haven’t read the book, but this is the review in the Financial Times, In some ways learning to knit these gloves has been a similar challenge for me – although I’m not working full time as he is, making time of the right sort is still a problem.
I think it’s interesting that the same sort of idea has driven two very different projects.
28 February 2013
Three pairs since Xmas
I’ve achieved my aim of knitting three pairs before March 1st. I have also tried to take better photos of them with daylight bulbs and a (very cheap) tripod.
Here are some pics of all three:
8 January 2013
New Year, New Plan
Over Xmas and the New Year I have been with at least three friends who didn’t have any gloves, or not very good ones, or who needed a birthday present … so I’ve decided to knit gloves for them. It takes away a whole lot of decision making. I got all the family and friends that I could to draw round their hands with a pencil on A4 paper and add their favourite colours, full initials and date of birth. So now I have size and colours for at least 11 people, plenty to be going on with.
13 December 2012
Uneven stitches, or the mark of the hand?
Every now and again I get a row or round of stitches that are too loose or too tight and which therefore stand out. These gloves are very fine and some people’s reaction is that they must be made on a machine. Of course, you cannot produce coloured knitting in the round on a machine (that I know of, I’m sure it’s possible, even if not economically viable for production). But what about these irregularities? I thought that they would come out after a press or wash but they don’t seem to.
So for now I’m thinking of them as the mark of the hand, if that’s not too much of a pun.
28 November 2012
The cobbler’s son syndrome
After all the time I’ve been knitting fancy and fine gloves when i go out for a walk, as I did this afternoon I end up wearing gloves like this:
It’s quite relaxing actually as I’m not worrying about losing them and I’m also getting design ideas for some future pairs. I think maybe hearts would be good. They have been used on gloves before, like the ones in the National Museums Scotland.
I think these are amazing. They have been discussed on the Ravelry Sanquhar knitting group pages too where they are much admired. It seems that not much is known about them though.
19 November 2012
Casting on for a new pair: learning how to do it
I have finally started a new pair of gloves after much trial and error with casting on. I wanted an alternating colour cast on so I went to Youtube and tried a two colour cast on which I didn’t like and then an Italian cast on which also seemed a fiddle and rather messy. I then managed to make up a two colour cast on which I think is ok so I’ve started another pair on the dark grey and cream theme. This time I’m going to alternate the panels of vertical lines and alternating stitches.
I tried out the cast ons using 4mm needles and some black and white double knitting yarn which made life a lot easier than doing it with the 3ply and 2.25 circular needles.
Getting the right sort of yarn for knitting these gloves has been difficult – the right thickness and quality, not to mention a good range of colours. However, I found that Marion Foale has a 3ply pure wool, spun in the UK (although not UK wool). The range of colours is excellent as you would expect. I think it must be what is used in the range of hand knits that are sold as garments.
3 July 2012
Original Sanquhar glove patterns!
Yesterday at Lee Mills, the home of the collections of the Knitting and Crochet Guild, my colleague was sorting the final few of hundreds of boxes of knitting patterns, possible the largest collection anywhere (in the world?) found 3 of the original SWRI patterns for Sanquhar gloves. If you send away to the SWRI for these you get photocopies, which although legible, aren’t ideal. So it was really interesting to see the ‘real’ patterns – slightly smaller than A4 and printed on shiny paper. I have been able to borrow them to look at closely.
10 June 2012
A conference I didn’t go to!
I’ve just spent the morning writing an abstract for a conference about making and researching at Aalto University, Helsinki in November, The Art of Making 2012. I’m hoping to make a presentation about the glove knitting and all the processes that have been gone through in their construction and in the information gathering about them. It’s peculiar trying to think and write about making – I’ve been listening to an interview with Neil Young, the Canadian singer songwriter and he insists that all that he does is instinctive and not thought through. Why do makers need to articulate what they are thinking when they are making? Or artists? Or dancers? Or actors?
Is the reflection done through personal memoir or through interviews or what? Or perhaps never?
2 June 2012
I’m in New York visiting my step daughter and family. I was able to take my knitting on the flight after having check in query it with security – it was only four short wooden needles that I did one thumb on so not too alarming.
I had a good sort out this morning and did an extra round on one of them before sorting out stitches for the fingers.
I’m back now but made some progress while over there although it really was much too hot to knit with wool.
I visited only one knitting shop – that’s how hot it was! That was the one nearest where I was staying in Brooklyn. It’s a very pleasant space run by two very nice people. It’s called Argyle Yarns. I called in one day to check if they had any groups – which they did – there was one on the Saturday afternoon but run by someone just renting their back room. It seemed to be an excuse for eating and drinking a lot – although a glass of white wine went down very nicely.
Coming back I took knitting on the plane with wooden dpns and a circular and it didn’t cause any problems.
2 June 2012
Writing about making
I have written a paper about knitting these gloves for the Journal of the Textile Society, Text, and I have heard that it has been accepted. I chose to knit these gloves with a view to writing about the processes involved and the article combines some history of existing gloves, some description of those in collections and some comparisons of my making processes compared to those written about by David Pye in ‘The Nature and Art of Workmanship‘. I’m still grappling with ideas of practice and making as research and quite how is best to discuss them, and in fact, if it is necessary at all. However, if it adds weight to what people do with their hands I’m all for it as I feel that hand skills are undervalued.
The cover of David Pye’s book showing one of his fluted wooden dishes
1 April 2012 (not an April Fool)
Tools for the job
I’m in South Wales and have visited a couple of knitting shops, one in Llandeilo and one in Fishguard. I’ve bought MORE needles, circular Knitpros, 2.25mm in 80cm length, Llandeilo, In Stitches, and then 2 pairs of 60 cm long from Jane’s woolshop in Fishguard.
So from knitting on what I had in my stash of needles I am now knitting on shorter ones which definitely makes life easier.
I’ve never understood the phrase ‘a poor workman (sic) blames his tools’ as it seems to me that the right tools for the job are essential. If you’ve tried knitting using rough or damaged needles, or ones that are too long or short, or in light that is poor, or using poor yarn with knots or contamination (the technical term for bits of old string – I found some in my 3 ply the other day), then you’ll know how it hampers what you can do. On the other hand I always thought that talking about which needles you prefer was a self indulgent American habit but here I am doing it.
I didn’t like Knitpros when I first had a one but the ones I’ve got now I really like. I’m not sure I can tell the difference between them and some of the old Aero ones that I’ve had ages or got from the KCG but it’s lovely having shorter ones as they tangle less with the yarns.
So I’ve had a chance in my caravan in the very West Wales to sit and knit uninterrupted and have made progress. I’m up to the thumb on the left glove and starting on the thumb on the right one.
26 March 2012
Re-Thinking how to do things
The Shepherd’s Plaid gloves are so far behind schedule that I decided to take a different tack. My self-imposed deadlines are obviously unrealistic, I just cannot make enough of the right sort of time to make them grow. I need silence, (total), a flat surface for the chart, excellent light (daylight or worklamp) and more than half an hour at a time. No interruptions at all.
After deciding I didn’t like how they were progressing I took them both back to the cuff and started again. I redesigned how the thumb pattern works so that the pattern continues up from the rib without a break. I’ve put them on 2.25mm (UK13) needles, circulars, of which one is 100cm long but I’m managing ok.
This is how they look:
I decided to add initials and date as the SWRI pattern did not have that on this pattern, rather strange as they are on the others. I was going to try to do them as fast as possible to keep up with my timetable but that seems silly if I end up with gloves I don’t like.
These were photographed in the garden in bright sunshine yesterday afternoon. Perfect knitting conditions.
3 March 2012
The Regia 3ply yarn from McAfee arrived by return of the order, and looking at it, I think it will be really perfect knitted up. It is fine and even and the colours are very good. The two marled greys are exactly what I have been looking for, the navy is good and dark and the ecru a good off white.
NOTE ADDED 31 MAY 2015: This is the yarn that is used in Sanquhar for knitting gloves. It is sold in the needlework shop in the town and also included in the kits that are sold with Alison Thomson’s books.
1 March 2012
Reflecting on progress
I’m deciding whether or not to start the next pair of gloves on the schedule today, as per the timetable, that would be the Shepherd’s Plaid, but I know I should finish the Midge and Flea really. So I decided to get out all the glove knitting I have done, including samplers and unfinished ones and here it all is:
Left – right: Mary Allen gloves, complete.
Sanquhar Duke pattern, one complete, one to be completed.
(Samples of cuffs below in black and white)
Midge and Flea, in progress.
Sampler of Sanquhar patterns, date to be knitted in and then cast off.
There’s a variety of wools – 3 and 4 ply, double-pointed needles and circulars have been used and a variety of sizes. The 4 ply makes a surprising difference to the size, more than I would have expected.
I’m undecided whether to persist with the idea of knitting all the patterns in the black and red 3 ply from Forsells. I don’t think it’s very evenly spun – probably ok for machine knitting where the knitting itself would be more even – I’m also not happy with the charcoal grey which is more black than I would have liked. Perhaps if I complete some of these other items it will give me time to decide what to do?
Thinking about knitting sometime in 2012 – possibly when knitting the Midge and Flea
I’ve finished the wristband on both gloves – my initials on the left and the date on the right, see above.
This feels like a big hurdle out of the way as these have to be placed carefully and charted with each line being followed from the chart. The chart was done on large format graph paper, probably about 5mm squares which means that it can be read easily. The chart for the last pair I knitted, the Mary Allen ones, was on 2mm squares, or probably 1/10 inch and had to have a ruler under each row to be able to follow it. I’m knitting on circular needles, which I only changed to a few months ago, having had a lifetime of knitting on double pointed needles (dpns) for socks, gloves and mittens although I had experimented briefly with knitting small circular things with two circulars having heard about it from the Cat Bhordi book
I was prompted to try again after I met and talked knitting with another expert knitter who also put me onto further technique, knitting with the work inside out, meaning that the floats go round the outside of the work. This means less chance of them pulling tight and puckering the work. Sometimes I do this and sometimes the work just turns so the rights side is outside anyway. The search for good knitting is interesting as it means ‘neat’, ‘even’, ‘tidy’, attributes that women are supposed to aspire to. I’m not sure about this and veer between wanting things to look ‘home made’ and not machine made, and wanting them to look ‘professional’, that is neat, etc. I was showing my Mary Allen gloves off at the knitting group I drop in to, the Yarn group in Huddersfield, and someone said ‘So neat, they could be machine knitted’ which I took as a backhanded compliment. Of course, even as knitting machinery progresses, circular two colour stranded knitting is still not technically possible, of at least not commercially. I think I am right in saying this?
Some thoughts from 2011, the start of the project
This page has comments about the knitting process itself and references to academic writings about making. Most of these notes are from the start of the project.
26th August 2011
Have seen my daughter with her knitting. She’s up to the initials. She’s doing her initials on her glove, the right one and I’m doing mine on mine which is the left one. The instructions are for the left hand glove to start with which strikes me as a bit odd and then you have to reverse them for the right hand one. Not sure if it’s a good idea to do the two gloves one each but it was meant to make a statement about various points:
Distance and connecting via electronic means.
Skill and the impossibility of making things identical. This is interesting as in principle if things are being made using the same methods and materials the outcome should be similar. This is the case in Japan with hand knits – I have seen the results myself, but it is not true in the UK. Again, I have seen the products.
Avoids second glove syndrome but I never mind that anyway as I always work them together.
25th August 2011
Thinking Through Craft (Adamson 2007) is not what it’s title indicates. Most chapters discuss fine art and issues.
25th August 2011
I’ve reached the fingers of the first glove. Very exciting as I’ve had to knit the finger gusset or fourchette, 9 stitches cast on between the fingers which is then knitted in alternate black and white. It’s quite good but think it will be better after another try. Also decided to knit the fingers on my special extra short 2mm needles but found that I just couldn’t hold them and after a couple of rounds went back to the circulars which although much longer than the actual finger stitches work much better.
(2014, note to self: need to knit another pair of Sanquhar damrod based gloves before too long).
23rd August 2011
One technical problem that I haven’t been able to solve is that of the ‘jog’ at the start/end of the round. I’ve looked at the Youtube videos about it and tried myself but all I got was a long slipped stitch. Will have to try again. (2014, I still have not solved this).
I’m reviewing my techniques in the light of advice I’ve been given. Firstly to turn the knitting inside out on the needles to avoid bunching up of the floats especially bad at the ends of needles. Have a look at the diamond pattern on the red and grey sampler to see it at its worst.
Secondly, to try knitting on circulars rather than dpns (double pointed needles). I’d done this in the past and wasn’t that impressed, actually I’m a real conservative where it comes to this type of thing. However, I had some in my extensive collection, almost the right size, 2.25 rather than 2 mm (old 14s) and I had a go using the red and grey sample piece. To my surprise I found that I liked the effect of them and my knitting became a lot more even and flat. So then I ordered a couple of 2mm 60cm needles from Texere who sent them in the post to me by return and I’ve been using them on the black and white ‘real glove’ to good effect.
I’ve also corrected some mistakes in the stitches by dropping them down and picking up again. This knitting is like dressage, it has to be correct or not al all. That’s one reason why I wanted to start with this type of work.
I went to visit the Rachel Kay Shuttleworth collection at Gawthorpe Hall. I asked to see the Dales gloves, all three of them, plus the curator had retrieved a pair of knitted mittens for me to look at as well.
8th August 2011
Working on the thumb gusset, see pictures. Very neat and satisfying to do. Using the Scottish Women’s Rural Institutes pattern but the thumb seems to be very high so I’m bringing it down a square. That is the same as the Sanquhar gloves that I actually own. They came via a friend from her aunty who knitted them and lived in the Yorkshire Dales. For a long while I thought they were Yorkshire Dales gloves, which in a sense they are.
3rd August 2011
Started with the black and white glove cuff again as it was too untidy and am managing to get it better. I have done the initials and they were fine apart from I missed a stitch at the start of the round. Decided that it had to be undone.
I’ve been able to do more as I’m on holiday in Spain so there’s been time to knit on the train; first Eurostar and then from Paris to Toulouse during the day.
14th May 2011
The ‘real’ glove. The knitting is trickier than I had thought – I am very used to knitting on four needles and also am able to knit quite tidy 4 ply gloves but the two colour rib was a struggle. I tried once and was so dissatisfied that I left it and started again, the tension on the white, in my left hand being much too loose. I also changed yarn from the baby wool 3 ply to the 2 ply version of the same wool. The key to the left hand yarn seems to be to keep it as tight in to the first finger as possible. If it goes loose your third finger ends up all over the place.
Tuesday 10th May 2011
I’ve been investigating Sanquhar gloves in collections: there are several especially if you include Dales gloves:
Toll booth Sanquhar has a huge collection and lots on line, see link
Online Dumfries museums, see link, lots of gloves and lots of information
Gawthorpe Hall. The Rachel Kay Shuttleworth collection has 3 Dales gloves, a pair knitted for ‘Miss Rachel’ and a single one that belonged to her father. I saw them as part of a study visit I made there in 1981!
Dales Museum Hawes. They have some Dales gloves and I need to make and appointment to go and see them.
Craven Museum Skipton. They only have lace gloves and no Dales ones as far as I can tell from a phone call.
Welsh Folk Museum. I made an email enquiry and found that they don’t seem to have any knitted gloves, or if they do, they are not the ‘hand knitted’ type. I know they have rather good long socks with two colour patterns as they’re on display in the café area, framed.
Knitting and Crochet Guild. They have some patterns and leaflets: the four SWRI Sanquhar patterns and a People’s Friend pattern, also a leaflet from the Wanlockhead Museum Trust about machine knitted adaptations of Sanquhar patterns. there are probably some gloves but they are not accessible at the moment.
Knitting History group. They have a pair which is illustrated on the web site. http://www.knittinghistory.co.uk/index.html
Not the V and A
Got appointments at Gawthorpe Hall, 1st June
And need to make one at Dales Museum
4 May 2011
The red and grey sampler. Changed needles on sample from short to longer, finding it hard to hold the shorter ones even though they are neater. Have done two repeats of the Duke pattern, now on two plain rounds.
Shepherd’s Plaid. Difficult to place at first but then sorts itself out. The diamonds become easier to knit after a while, the key is the number of stitches at the start of the diamond. Also getting better at controlling the wool in the left hand, needs to be kept tighter down the finger so that the tension can be kept tighter.